Sam kinison breaking the rules love song

Sam kinison breaking the rules love song movie#

Alas, there is a texture given to the frames of this film that is highly Tarkovsky-esque - especially as nature and the elements are explored with close-ups and patience. Furthermore, the quirky bounce given to the cinematic space by the edit is lifted with some strict camera movement (maybe more reminiscent of Wes Anderson than Jeunet). These come together to produce an atmosphere with haste in its sails, yet time for levity. This is found in the complex sound-montage and the rhythm of cutting. It is put to celluloid with a tone, to my senses, derivative Jean-Pierre Jeunet being most central. Kramasha, or To Be Continued, is an experimental film that feels very much so like an ethereal fairy tale. Unfortunately, not much is added to the depth of narrative of character with this formalisation, but, at least this provides a good cinematic experience.

Sam kinison breaking the rules love song movie#

What keeps this at just a very good film for me, however, is its ability to only take a basic Hollywood movie and present it with a unique form. What this then does so well is take a basic and much-seen narrative about adventure that leads away from family life, a father estrange from his children, yet seek reconciliation, flourish from dead-pan absurdity. This doesn't produce as much comedy as The Grand Budapest Hotel, but the feel of story and adventure is particularly strong in The Life Aquatic (far stronger than in his recent effort, Isle of Dogs). In such, Anderson's strict and formulaic style flows very well with his staccato, off-beat characterisation and dialogue. A third may be conjured concerning how the two meet, and I find that The Life Aquatic pleasantly answers both, if not all three, questions rather well. With Wes Anderson, I find there's only ever two questions worth asking, one of style and one of character.